The upholstered arms starting in the extension of the back widen to end in ribbed noses with scrolls.
They rest on recessed, tapered, fluted and foliated brackets. The rounded crosspieces and juts are joined to connecting blocks sculpted in the mass, extended by tapered round feet with rudent grooves.
Inside, the belt crosspieces are elegy, typical work of Georges Jacob.
A piece of paper is glued to the rear crosspiece with writing in ink that is unfortunately difficult to read.
Attributed to Georges Jacob (master in 1765)
Very elegant seat, with a wide seat and in good condition.
Louis XVI period