The large window on the right lets in light and at the same time reveals the accessories of the painter's last works. The large mannequin, an unwavering and silent companion, seems to express the feelings of his master. His slightly sad air, his arm stuffed with horsehair, swinging, perhaps express the weariness of this forced bohemianism.
The uhlan chapska that he wears, a souvenir of paintings with military subjects, balances this serious presence, bringing a touch of joy and derision. On the wall a painting is leaning against it, another is hanging, as well as a large canvas still free. A yellow straw hat, a blue bag containing large brushes also testify to a practice of painting outdoors. The room is warmed by the striped fabrics and the mahogany of the armchair. And by these white mice that live with the painter and share his fate.