The Nkisi songye acts as an intermediary between the deities and humans. The large sculptures are the collective property of an entire village, while the smaller ones are owned by an individual or family. In the 16th century, the Songyes left the Shaba region to settle on the left bank of the Lualaba. Their society is structured in a patriarchal manner, and their history is closely linked to that of the Luba, with whom they share common ancestors.
Piece accompanied by its certificate of authenticity.
PS: what does the certificate of authenticity consist of? https://www.galerie-art-africain.com/faq.aspx?qid=8
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