Signed: GC ALLEGRAIN (after, because our bronze here is from the 19th century)
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Subject: Venus in the bath
Dimensions: height: 86 cm, width: 30 cm, depth: 27 cm. – 33 Kg
Biography:
Christophe-Gabriel Allegrain 1710 / 1795
Christophe-Gabriel Allegrain, born October 11, 1710 in Paris and died April 17, 1795 in the same city, is a French sculptor. Grandson of Étienne Allegrain (c. 1650-1733), landscape painter, and son of Gabriel Allegrain (c. 1680-1733), also a member of the Academy, Christophe-Gabriel Allegrain was the brother-in-law and collaborator of the sculptor Jean-Baptiste Pigalle. He became sculptor to the king and a member of the Royal Academy of Painting and Sculpture, of which he was the rector and dean.
At the very beginning of the 18th century, Christophe-Gabriel Allegrain settled in Paris in the Marais district, along the rue du Rempart (now rue Meslay), where he established his studio on the site of the former ramparts of Philippe Auguste and Charles V1.
Among the artists who then had their studio on this street were the sculptor Robert Le Lorrain, as well as Jean-Baptiste Pigalle, his collaborator, whose sister Geneviève Charlotte Pigalle (1713-before 1744) he married.
Succeeding Lambert Sigisbert Adam (1700-1759), he was appointed professor of sculpture at the Royal Academy of Painting and Sculpture on July 7, 1759 and was replaced by Louis Jean-Jacques Durameau in 1781. Source Bénézit and Pierre Kjellberg, Dictionary of sculptors: bronzes of the 19th century, Éditions de l'Amateur, 1997. Works in public collections Paris, Louvre Museum: Bather or Venus in the Bath (1767), Paris, Louvre Museum. Bather or Venus in the Bath, Salon of 1767, marble statue, 174 × 62 × 67.5 cm4. In 1755, the Marquis de Marigny, director of the King's Buildings, commissioned Allegrain to make a Venus for the Château de Choisy.
The terracotta sketch was presented at the 1757 Salon, but was hardly noticed. In 1767, the large marble was completed and exhibited in the sculptor's studio. The same year, it was presented at the Salon, and received praise, notably from Denis Diderot, whose comment has remained famous: "Beautiful, beautiful, sublime figure; they even say the most beautiful, the most perfect figure that the moderns have made [...] The beautiful shoulders, how beautiful they are, how plump this back is, what a shape of arm, what precious, what miraculous truths of nature in all these parts".
The work was thus unanimously appreciated despite the poor quality of the marble supplied to the sculptor, suffering from several bluish veins. This was the first major commission placed with the sculptor, and Diderot admitted in a letter of May 1768 to the sculptor Falconet: "Well, this Allegrain, whom I had never heard of, has just made a Venus bathing which is admired even by the masters of art." Allegrain was significantly inspired by a small bronze by the Mannerist sculptor Jean de Bologne, Baigneuse placeur le pied sur un vase de parfum (several known examples), taking up the sinuous line of the body, the drooping shoulders, the high and small chest, and the hairstyle composed of sophisticated braids. The work intrigued contemporaries with its sensual pose, leaning forward, with a delicate inclination of the head, which also required leaving a bridge behind the neck to reinforce the sculpture.
The face is animated by a discreet smile and a crease in the left eye, soliciting the complicity of the spectator. We note the naturalism of the body, the full flesh, revealing bulges and folds on the stomach, the hips, and the hollow of the arm, so admired by Diderot.
The sculpture was acquired by Louis XV who offered it in 1772 to his favorite Madame du Barry, who then installed it in the park of the castle of Louveciennes.
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Bronze visible at our gallery in L'Isle sur la Sorgue (France), on weekends.
Free shipping for France. And on estimate for abroad