The connoisseur will find in this work many of the characteristics of the genre, including the blend of European and indigenous symbolism. The angel has feminine characteristics but remains somewhat androgenous. The weapon is thin, lighter and more delicate than a standard arquebus. The style of dress is European. There are, however, distinct Native American elements. Note the use of bright colors, especially the feathers on the angel’s hat, reminiscent of South American parrots, which signify nobility and religious authority.
This painting has much that is unique, however, and would make a fine addition to a collection as well as an example of its kind. The frame is ornate, composed of mirrors and gilding, and deserves considerable attention. The cracks give the work a solemnity and maturity that contrast wonderfully with the angel's youth. Colorful makeup highlights the angel's cheeks, as she tilts her head slightly and gives her audience a sidelong glance that exudes both confidence and innocence. Unlike many Angels with Arquebuses, this angel does not hold the weapon in a posture taken from the manual "Exercice aux armes" by the Dutchman Jacques de Gheyn. However, the posture is realistic and she handles the weapon as a left-handed person would, which may provide a clue to the identity of the artist.
Condition: very good condition, cracks due to age, 2 small parts of the damaged canvas have been restored on the back in the upper left corner where the trees are painted. Not visible from the front, discreet restorations