Second half of the 18th century
Workshop: De Vergulde Bloempot (The Gilded Flowerpot)
A genuine blue and white tobacco jar for the storage of tobacco with an original brass lid.
The jar is inscribed Hanover and is painted between two Native Americans smoking a pipe with barrels, rolls, and tobacco leaves around them. Above Hanover, we see a wonderful garland of draped curtains and shell motives. The brand refers to the City of Hanover, the import city for this specific type of tobacco.
Marked B:P: for Bloempot.
In the 18th century, tobacco became an integral part of social life. Initially, in the 16th and 17th century valued for its exotic origins as a medicinal product, it later gained popularity as a stimulant. Tobacco was sold in dedicated shops where shopkeepers stored it in large Dutch Delftware jars. Smaller jars were used for snuff tobacco (Rappe), as only small quantities were required. These jars often bore inscriptions identifying the specific blends, such as Kruidnagel (Clove), Bergamot, Rozengeur (rose scent), Tonka (Tonka bean), and Violet. They also indicated the region of origin, including places like Havana, Macuba (Cuba), Martiniek (Martinique), Maryland, Portorico (Puerto Rico), Virginia, St. Vincent, St. Omer, Baltimore, Duinkerken (Dunkirk), Eindhoven, and so on, and broader areas like the USA and Hollandia (Holland)
In addition to inscriptions, the jars were often adorned with decorative images. A common motif was an elaborate floral cartouche topped with a flower basket. Less frequently, jars depicted Native Americans and Moors, symbolizing the exotic roots of tobacco and its connection to slavery and plantations. Even rarer were jars featuring the VOC (Dutch East India Company) logo, an anomaly, as the WIC (West India Company) was responsible for trade with the Americas. The rarest designs included images of buildings, ships, or other unique subjects, likely special commissions.
The jar is in very good condition with the normal small chips and wear of use, according to age.