Louis Mathieu Verdilhan (1875-1928) Provençal Landscape With Large Trees

In the line of the great painters of Fauvism, Louis Mathieu Verdilhan proves once again with this dazzling work of colors, light and spontaneity his importance in the history of Provençal art of the early 20th century.
The imposing work is in excellent condition, it is done in oil on canvas and presented in a natural oak frame of the American box type which measures 106 cm by 116 cm and 100 cm by 110 cm for the canvas alone.
It represents a Provençal landscape (certainly around Aix en Provence) in bright colors with in the background a farmhouse a few meters from a body of water and in the distance hills.
An exceptional work both in format and quality, which has nothing to envy the great Fauvist painters of the same period and whose work on the trees recalls certain paintings of the famous André Derain.
In excellent condition, it is signed lower right.

Louis Mathieu Verdilhan's family settled in the Chartreux district of Marseille in 1877. Coming from a poor family, he apprenticed with a building painter in 1890 but began drawing with the support of the artist. Marseille painter Eugène Giraud (Marseille 1848-1937). In 1895, he opened a workshop that he kept all his life, at no. 12 rue Fort-Notre-Dame. In 1898, he went to Paris for the first time and worked for the decorator Adrien Karbowsky in charge of part of the ornamentation of the Salon du bois of the Pavilion of Decorative Arts for the Universal Exhibition of 1900, then returned the following year in Marseille. In 1902, he lost his left eye, which did not prevent him from painting.
His artistic career began in 1902 in Marseille with an exhibition on rue Saint-Ferréol then, in 1905, an exhibition at the Palais des Architectes on Avenue du Prado. He also exhibited in Paris from 1906 at the Salon des Indépendants: Fields of Poppies (1906), Priest and Altar Boy (1910), Place de l'Horloge (1911), House with the Almond Tree (1913), The Flower Jug (1914) ... From 1908 he also participated in the Salon d'Automne. In 1909, he spent six months in Versailles where he created numerous paintings. From 1910 to 1914 he occupied a workshop at no. 12 quai de Rive Neuve, in warehouses where the painters Girieud and Lombard were already installed (premises which would later be, from 1946 to 1993, the workshop of the painter François Diana). Mobilized in Toulon during the First World War, Louis Mathieu Verdilhan rubbed shoulders with Albert Marquet, whose influence he was influenced by, as well as André Suarès and Antoine Bourdelle.
After the war, he lived successively in Aix-en-Provence, Cassis and Toulon. On March 16, 1919, he married Hélène Casile, youngest daughter of the painter Alfred Casile. His notoriety increased and he exhibited as far as New York at the Kraushaar gallery. He painted a panel for the Marseille Opera for the city of Marseille: this canvas represents the July 14 celebration in Marseille and was widely criticized during the inauguration of the opera.
Passionate about the Old Port, he performed more than 130 times between 1913 and 1920[ref..
He died of laryngeal cancer on December 15, 1928. His widow remarried a polytechnic engineer, Gaston Vanneufville, and had a daughter: the actress Geneviève Casile.

His works can be seen in many museums and public collections:

     Albi, Toulouse-Lautrec museum: Boat at the dock
     Avignon, Calvet museum: View of the Old Port in Marseille
     Granville, Richard Anacreon modern art museum: Provençal landscape
     Grenoble, museum: Portrait of a man
     Marseille:
         Museum of Fine Arts :
             View of the port of Marseille
             Town hall on the coast
         Cantini museum:
             Self-portrait
             The old Port
             The bestiary
             The transporter bridge
             Town hall on the coast
             View of the port of Marseille
     Martigues, Ziem museum:
         The great bulwark in the port of Marseille
         The Old Port in Marseille 1927
         The Colonies Bar in Toulon
     Paris, museum of modern art of the city of Paris:
         Lunch, sepia
         Marseille, boats in port
     Toulon, Toulon art museum:
         Park corner, circa 1911, oil on canvas, 80 × 105 cm
         Var coastline, circa 1907, oil on canvas, 70 × 91 cm
         Village of Provence, oil on canvas, 80 × 150 cm