Arriving in Canada in 1911, he documented, through his art, the social realities of his time, particularly working-class neighbourhoods and the effects of the Great Depression. His work, often focused on the human figure, demonstrates an attentive and sensitive eye.
His works are part of the collections of several Canadian institutions, including the Musée d'art de Joliette, the National Gallery of Canada and the Musée national des beaux-arts du Québec. This pastel illustrates his approach well, favoring a simple and expressive representation of the human body.