Chinese Shiwan Pair Of Celadon Glaze Three-legged Toad Planters, Qing Dynasty

Antique pair of Chinese Shiwan pottery three-legged toad planters – celadon glaze – Qing Dynasty, 18th–19th century A highly decorative and characterful pair of antique Chinese toad-shaped vessels from the renowned Shiwan kilns of southern China, dating to the Qing Dynasty (late 18th to early 19th century). These expressive three-legged figures are finished in a classic celadon glaze, showing areas of pooling and dripping typical of traditional Shiwan craftsmanship. Each toad is hollow-bodied and features exaggerated facial expressions, bulging eyes, textured skin, and a sturdy three-footed form. A drainage hole on each suggests their use as small planters or possibly incense holders. The glaze shows fine crackle and surface wear, enhancing their antique character. One figure has undergone historic restoration; the other remains in very good antique condition. Together, they form a whimsical and rare decorative pair rooted in Daoist symbolism. Historical Background
In Chinese folklore, the three-legged toad (known as Jin Chan) is a mythical creature linked to wealth and fortune. According to Daoist legend, the immortal Liu Hai used a string of coins to lure back his magical three-legged toad companion. Such figures were commonly placed in homes or gardens to attract prosperity. The Shiwan kilns, located near Foshan in Guangdong province, have a rich ceramic tradition dating back to the Song Dynasty. By the Qing period, they were especially renowned for their sculptural pottery figures, often featuring exaggerated forms and celadon glazes created from local clays and natural minerals. Measurements Toad 1 (with restoration)
Height: 15 cm
Length: 18 cm
Width: 13 cm
Weight: 788 g Toad 2 (better condition)
Height: 15.5 cm
Length: 18.5 cm
Width: 13 cm
Weight: 817 g Condition Toad 1: Extensively restored with old glued repairs, visible cracks, and a missing piece to the base. Structurally stable but with wear, surface losses, and firing flaws.
Toad 2: Very good antique condition. No visible restoration. Minor glaze losses and surface wear consistent with age. Fine crackle and natural kiln imperfections. Shipping & Packaging

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