Portrait Of Françoise d'Aubigné, Marquise De Maintenon (madame De Maintenon), C.1700

The artist has modelled their subject with a slight turn of the head creating a sense of intimacy and elegance. By tradition the sitter is Françoise d'Aubigné, known as Madame de Maintenon, the second wife of King Louis XIV of France. She is sumptuously dressed in a russet gown with collarette, an azure silk mantle, and her hair is partially covered by a transparent black wrap, as she was often depicted with. France during this period was the leading exponent of fashion and the arts to the rest of Europe and the fashions arose from the French court itself. A feature of this portrait is the stunning original 17th century carved and gilded wood frame, decorated with acorns and acanthus leaves. The frame is a work of art in its own right. The last great female presence in the life of Louis XIV, Mme de Maintenon was first brought to the king’s attention by Mme de Montespan. Serving at first as governess to Louis XIV’s illegitimate children away from the prying eyes of the court, she later married the king in secret. Eventually Mme de Maintenon deposed her rival and became the dominant female force at Versailles, where she imposed a new sense of order and propriety. Françoise d’Aubigné, Marquise de Maintenon, first appeared at Versailles in the 1670s. Born in 1635 in the prison at Niort, at 16 she was orphaned when her mother died and it was arranged for her to live with the crippled author Paul Scarron, who was 25 years older. Françoise married him in 1652 and later said of this relationship: “I preferred to marry him rather than a convent.” In addition to nursing the author, she also had to preside over his salon, where an extremely varied group was received. Upon his death in 1660, Scarron left his wife with nothing more than his name and a mountain of debt. At the initiative of the Marquise de Montespan, the official mistress of Louis XIV whom she had met some years previously, she became governess to the king’s illegitimate children in 1669. This provided an excellent opportunity to meet the king in person when he came to visit his children. Louis’ first impression of her, it appears, was that she was “unbearable.” Things soon changed. In 1675, again acting on the advice of the Marquise de Montespan, Louis XIV granted her two royal donations which enabled her to purchase the estate of Maintenon and take on the title which came with it. In 1680 she was given the position, created especially for her, of “second lady-in-waiting” to the Dauphine. Following the disgrace of the Marquise de Montespan in a poisoning scandal and the death of Queen Maria-Theresa of Austria, she married the king in secret in 1683. Mme de Maintenon held a great influence over Louis XIV, who visited her every day in her apartments overlooking the palace’s royal courtyard. He worked here, held meetings with his ministers, and enjoyed moments of tranquillity in the company of his secret wife. It is difficult to determine, nonetheless, how much of a role she played in the monarch’s political decisions. Her “reign”, which some contemporaries decried as strict and boring, did appear to coincide with a certain change in the king’s character. Mme de Maintenon bore much of the blame for this new state of affairs, which many courtiers resented. A few days before the death of Louis XIV in 1715, his powerful secret bride retired to Saint-Cyr, the school for girls which she had persuaded the king to found. Mme de Maintenon was buried at the school for young girls she founded in Saint-Cyr, which was subsequently converted into a military academy by Napoleon. Her body was exhumed by revolutionaries in 1793. Her remains were rediscovered during the Second World War amid the ruins of the bombed academy and were transferred to the royal chapel at the Palace of Versailles, before being returned to Saint-Cyr in 1969. Her letters are still read with interest, and, in his exile at St. Helena, Napoleon I professed to prefer them to those of Mme de Sévigné. Pierre Mignard, known as le Romain, was a French painter of the court of the French King Louis XIV and was, with Charles Le Brun (1619-90), one of the most successful painters during the reign of Louis XIV. After training in Troyes, where he was born, and in Bourges, Mignard joined the studio of Simon Vouet in Paris in 1627. He went to Italy in 1636 and remained there until 1657. He studied the work of Correggio and Pietro da Cortona in Rome as well as copying Annibale Carracci's frescoes in the Palazzo Farnese. Because of his rivalry with Le Brun, Mignard was unwilling to become a member of the Academy, but on Le Brun's death in 1690 he succeeded him as its Director and as First Painter to the King painting no less than 10 portraits of the king. Measurements: Height 86cm, Width 73cm framed (Height 33.75”, Width 28.75” framed)