He began by painting Brittany between 1900 and 1910, then met the Nabis and Cloisonnism. He will also be influenced by Cubism.
But his travels in Italy bring him a certain classicism.
He opened a studio very early in Montparnasse where he frequented Modogliani and the painters of the School of Paris.
He is also a sculptor.
This beautiful drawing dates from the end of the 1930s, and it is typical of his work, halfway between cubism and classicism.