Some perspective errors suggest that the painter is an amateur, likely a client himself, which makes this scene particularly exceptional for its originality. In fact, aside from Pierre Antoine Baudouin, known for his light compositions, few artists dared to depict this type of subject. However, the theme of the brothel would be taken up by artists of the late 19th century, as shown in the works of Toulouse-Lautrec and Constantin Guys.
Finally, the attention to detail provides important information about the furnishings. For instance, the seat, curved leg of the fireplace, and painted door top, all in the Louis XV style, testify to the increasing trend of collecting in this era. However, the Louis XVI style also makes an appearance, as evidenced by the mirror above the hearth.
Here, we have a true testimony of the past that sheds light on the history of prostitution and the way these secret places were arranged.
Didier Foucault: "The libertine aristocracy has raised its head; it will not lower it again before 1789."